CAMH1: Christopher Knowles: In a Word

There are huge blind spots in my knowledge. Iām perfectly willing to admit this. But when it involves events and artists contemporaneous to me, I am astounded at what Iāve missed. In 1977, Philip Glass came across my radar with North Star . My friends and I were in thrall and decided this was among the most horizon-expanding music weād yet heard (in a year that boasted Bowieās Low and āHeroesā , Elvis Costelloās My Aim is True and plenty more). In 1978, I got to see Glass perform the suite (it was marketed and packaged as a collection of pieces, but I tend to think of it as a suite) and I was hooked. It wasnāt long before the name Robert Wilson permeated our brains and Einstein on the Beach became a holy grail of sorts. We heard the āKnee Playsā over time and bits and pieces here and there. I confess that Iāve never seen it staged but Iāve seen much of it in different videos and have heard most of it (Iām not sure Iāve heard all five hours); but itās a major work of...